Square or Rectangular Filters
Designed for long-exposure photography, the Lee 100 x 100 mm Little Stopper reduces the light entering the lens by up to 6 f-stops. Lee’s Little Stopper is for low-light conditions at dawn and dusk (when the Big Stopper's 10 stops may be too much), allowing you to enjoy increased flexibility with exposure lengths and create ghostly, time-passing effects
Made from high-quality optical glass, the Lee 100x100mm Big Stopper 10x Filter is a long-exposure ND filter designed to reduce the amount of light entering the lens by up to 10 stops. By greatly extending exposure times, it has the effect of allowing anything that is moving in your image to become blurred or ghost-like. The Big Stopper is compatible with
The 100mm Lee ND Graduated Soft Resin Filter Set is made up of 3 100 x 150mm ND Grad filters (0.3, 0.6 and 0.9) with a soft dark to light transition. Soft ND grads perform best in woodland, mist, or interiors. Anywhere where there is no definite transition between sky and foreground, a soft grad will gently balance exposure across the image.
The Lee Circular Polariser 105mm Rotating Glass Filter attaches to the Lee Filter Holder via the Lee 105mm Front Holder Ring (both not included, available separately). Ideal for landscape photography, this filter can remove potentially distracting reflections from non-metallic surfaces and has the effect of saturating colours and deepening blue skies.
Made out of high-quality optical glass, the Lee 75x90mm Seven5 Big Stopper is a long-exposure ND filter designed to reduce the amount of light entering the lens by up to 10 f-stops. By greatly extending exposure times the Seven5 Big Stopper has the effect of allowing anything that is moving in your image to become blurred or ghost-like (E.G. clouds, water,
These high quality glass filters manage the waveforms of light travelling to the camera from most reflective surfaces. Glare and reflected light can be altered by rotation of the polarising filter. The effect can be seen through the lens of reflex cameras as the filter is rotated. When used outside on sunny days, polarising filters have the effect of saturating
Designed to reduce the amount of light reaching the sensor, the Cokin Z-Pro ND Grad Kit gives photographers more control over the exposure and depth of field of their images. It contains a Grad Grey ND2 (Z121L) filter, Grad Grey ND4 (Z121M) filter, and Grad Grey ND8 (Z121) filter. Each filter is clear at the bottom half with a gradual transition of the
These three filters adjust exposure without affecting colour balance and can be used with all standard film types. Exposure can be increased by 1, 2 or 3 stops to suit individual requirements. Lee Neutral Density filters absorb light evenly across the visible spectrum, therefore reducing the light entering the lens without affecting the image colour. Traditionally
The Lee Seven5 Polariser has been made with a unique clip-on design and can be snapped onto the front of the Seven5 filter holder (not included, available separately). The Seven5 Polariser filter allows you to significantly reduce reflections and glare from non-metallic surfaces. The Polariser also enables colours to become more saturated and appear clearer
The Lee Seven5 Starter Kit contains a 0.6 Neutral Density Hard Grad Filter and a Lee Seven5 Filter Holder. The filter features a hard graduation from dark to light and is designed to reduce exposure by 2 stops without affecting colour balance. ND Grads enable you to balance light intensity in one part of a scene with another. For example, when photographing
Whether you need to balance the exposure between sky and foreground, eliminate distracting reflections from water or extend your exposure to convey a sense of peace and stillness, the Lee Seven5 Deluxe Kit contains everything you need for creative photography. Included in this kit are the following: 1x Lee Seven5 filter holder, 1x Lee Circular Polariser
The Lee 100mm Neutral Density (ND) 0.9 Graduated Medium filter enables users to adjust the exposure across the frame by 3 stops, without affecting the colour balance. This filter is ideal for use when elements of the scene protrude into the sky, be that the rooftops of buildings or the peaks of mountains. The nature of the transition between coated and