Square or Rectangular Filters
The 100mm Lee ND Graduated Soft Resin Filter Set is made up of 3 100 x 150mm ND Grad filters (0.3, 0.6 and 0.9) with a soft dark to light transition. Soft ND grads perform best in woodland, mist, or interiors. Anywhere where there is no definite transition between sky and foreground, a soft grad will gently balance exposure across the image.
The Lee 100mm ND Graduated Hard Resin Filter Set is made up of three 100 x 150mm ND Grad filters (0.3, 0.6 and 0.9) with a hard dark to light transition. Hard ND grads are used for images with a hard transition between the sky and the foreground. Placing the Neutral Density part of the filter onto the sky in the frame will reduce the sky exposure, ensuring
Made from high-quality optical glass, the Lee 100x100mm Big Stopper 10x Filter is a long-exposure ND filter designed to reduce the amount of light entering the lens by up to 10 stops. By greatly extending exposure times, it has the effect of allowing anything that is moving in your image to become blurred or ghost-like. The Big Stopper is compatible with
Designed for long-exposure photography, the Lee 100 x 100 mm Little Stopper reduces the light entering the lens by up to 6 f-stops. Lee’s Little Stopper is for low-light conditions at dawn and dusk (when the Big Stopper's 10 stops may be too much), allowing you to enjoy increased flexibility with exposure lengths and create ghostly, time-passing effects
The popular three-colour sunset filter is now available as a set of three separate filters - Sunset Red Grad, Sunset Orange Grad and Sunset Yellow Grad. This offers the photographer the flexibility and control they need to achieve the result they want, adding warmth and definition to both sky and landscape.
Lee Neutral Density Graduated filters allow you to adjust exposure without affecting the colour balance and are the ideal tool for landscape photographers looking to control and darken the brighter parts of a scene, such as the sky. This 100 x 150mm filter is partially clear, and partially 0.9 Neutral Density (3 stops), allowing the transition to be blended
These high quality glass filters manage the waveforms of light travelling to the camera from most reflective surfaces. Glare and reflected light can be altered by rotation of the polarising filter. The effect can be seen through the lens of reflex cameras as the filter is rotated. When used outside on sunny days, polarising filters have the effect of saturating
These three filters adjust exposure without affecting colour balance and can be used with all standard film types. Exposure can be increased by 1, 2 or 3 stops to suit individual requirements. Lee Neutral Density filters absorb light evenly across the visible spectrum, therefore reducing the light entering the lens without affecting the image colour. Traditionally
The Lee Seven5 Starter Kit contains a 0.6 Neutral Density Hard Grad Filter and a Lee Seven5 Filter Holder. The filter features a hard graduation from dark to light and is designed to reduce exposure by 2 stops without affecting colour balance. ND Grads enable you to balance light intensity in one part of a scene with another. For example, when photographing
The Lee 75x90mm Seven5 Little Stopper is designed for long-exposure photography and reduces the light entering the lens by up to 6 f-stops. The Little Stopper is ideal for low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths. By increasing
Made out of high-quality optical glass, the Lee 150x150mm SW150 Mark II Little Stopper is a long-exposure ND filter designed to reduce the amount of light entering the lens by up to 6 f-stops. The Little Stopper is ideal for low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy
The Lee 100mm Neutral Density (ND) 1.2 Graduated Medium filter enables users to adjust the exposure across the frame by 4 stops, without affecting the colour balance. This filter is ideal for use when elements of the scene protrude into the sky, be that the rooftops of buildings or the peaks of mountains. The nature of the transition between coated and