Blackmagic URSA Cine 12K LF 100G

12K sensor and large format

The URSA Cine 12K LF 100G centres on a large-format 35.64 x 23.32mm RGBW sensor. This impressive resolution is the selling point, but the real attraction is what it gives you on set and in post: more detail to work with, more freedom to crop or reframe, and a smoother path to multiple deliverables without the image failing. Because the camera can record in 12K, 9K, 8K, and 4K using the full sensor area, you keep the same field of view as with your chosen lens, which makes it easier to hold shot design together across different finishing formats.

Dynamic range, colour and image control

The 16-stop dynamic range gives you room where it counts, especially in bright exteriors, contrast-heavy interiors, and scenes that need a gentler roll-off through the highlights. That extra latitude is not just there for the grade later. It also gives you more confidence when conditions shift quickly, and you still need the image to hold together cleanly. Blackmagic’s colour science, combined with Blackmagic RAW, helps preserve natural skin tones and subtle tonal separation, so the camera is not only technically strong on paper but also easier to shape into a polished, cinematic image in real use.

Built for modern production

The URSA Cine 12K LF 100G is built for productions where the footage needs to move quickly from set into post. Blackmagic RAW gives you the grading flexibility you want from a camera at this level, whilst the simultaneous HD proxy files make it easier for editors to start cutting straight away. That is especially useful on fast-turnaround jobs or shoots with remote teams, because post-production can begin while the camera is still recording. In practice, it makes the camera easier to fit into real commercial, long-form, and broadcast-minded workflows without slowing everything down.

Cinema body with live IP capability

One of the cine camera’s additional strengths is its ability to bridge cinema and live production. The 100G Ethernet connection supports SMPTE 2110 IP workflows, along with streaming, camera control, Blackmagic Cloud uploads, and high-speed file access. That gives the camera a much broader range of capabilities than a typical digital cinema body. For some users, that means one camera can move between narrative, concert, studio, and broadcast-style environments while still delivering the depth, colour, and overall image discipline you would expect from a full-scale cinema platform.

Production-ready kit

The Blackmagic URSA Cine 12K LF 100G arrives with the accessories that help turn the camera into a practical working setup rather than just a camera body in isolation. The included 8TB Media Module gives you the capacity to record high-resolution Blackmagic RAW for extended periods, a real advantage on long shooting days when media swaps can interrupt the pace of a setup. The top handle and Top Rod Mount make the camera easier to rig and carry, while the Baseplate 19 gives you a solid starting point for studio builds, support systems, and lens accessories. A B-Mount battery plate and 24V power supply are also included, making it easier to power the camera with multiple options.

What's in the box?

• 1 x Blackmagic URSA Cine 12K LF 100G camera with PL lens mount
• 1 x Blackmagic Media Module 8TB
• 1 x Blackmagic URSA Cine Handle and bolts
• 1 x Blackmagic URSA Cine Top Rod Mount
• 1 x Blackmagic URSA Cine Baseplate 19
• 1 x Blackmagic URSA Cine Battery Plate B Mount
• 1 x Blackmagic URSA Cine Rubber Caps for connectors
• 1 x Blackmagic URSA Cine WiFi Antennas
• 1 x Blackmagic URSA Cine Mount EF and mount screws
• 1 x Blackmagic URSA Cine 24V 250W power supply
• 1 x Blackmagic EF Body Cap
• 1 x Blackmagic PL Body Cap
• 1 x Plastic folding screen hood for 5” LCD
• 1 x DaVinci Resolve Studio with activation key
• 1 x Welcome wallet with QR code for software download
• 1 x Blackmagic Sticker
• 1 x Pelican 1510 Case with custom foam