Canon CR-N400 4K PTZ Camera (Black)

Canon CR-N400 Key Features:

• 4K PTZ camera designed for studio, broadcast and live event production
• DIGIC DV7 processing delivers clean detail, tone and motion in 4K60P
• 20x optical zoom with 40x advanced zoom for distant subjects
• Hybrid AF maintains accuracy across varied lighting
• 12G-SDI output enables single-cable 4K workflows
• Time Code and Genlock support multi-camera synchronisation
• Dual XLR inputs provide direct balanced audio integration
• HDR with PQ, HLG, Canon Log 3 and Wide DR imaging options
• Compatible with NDI|HX2, SRT, RTSP/RTP, RTMP/RTMPS and FreeD
• Built-in ND filter aids exposure control under studio lighting
• PoE++ support simplifies installation with minimal cabling
• Auto Loop programming repeats camera moves for consistent outputs
• Compact 3.1 kg body with NC35-or-less operational noise

4K image quality with HDR control

The CR-N400 uses the DIGIC DV7 processor and a 1/2.3-type sensor to produce crisp 4K60P video with smooth motion and rich colour depth. In controlled lighting or mixed environments, HDR modes including PQ, HLG, Canon Log 3, and Wide DR give you enough latitude to retain highlight detail while keeping shadow tones clean. This helps maintain consistency across multi-camera rigs where matching matters.

Connectivity for broadcast workflows

Canon positions the CR-N400 as a studio-ready PTZ, and the interface panel reflects that. A 12G-SDI output carries full 4K60P down a single cable, while Genlock and Time Code keep it tightly aligned with other cameras on a switcher. Dual XLR inputs extend audio routing directly to the camera, reducing the need for external preamps when capturing panel discussions or live commentary.

Zoom reach in large venues

The 20x optical zoom covers wide stage framing and tight follow-ups, while the 40x advanced zoom in Full HD is useful in arenas, auditoriums, or church spaces where the camera is far from the subject. The lens maintains strong contrast and detail at the telephoto end, giving operators confidence when cutting between cameras during live mixes. Its reach makes it practical for both fixed wall mounts and truss-mounted positions.

Accurate focusing for studio or event coverage

Hybrid AF supports face and eye detection alongside standard tracking, keeping the camera locked on presenters even during subtle movement. It responds well in lower light, where stage wash or coloured LEDs would challenge simpler AF systems. Manual control remains available through Canon’s software or hardware controllers when a production requires tighter framing discipline.

Flexible streaming and IP control

The CR-N400 integrates smoothly into IP-based studios and remote-production setups. Support for NDI|HX2, SRT, RTMP/RTMPS, RTSP/RTP, Canon XC and serial/IP control gives producers a broad set of options for routing signals and managing cameras across a network. With 4K over HDMI and SDI, the camera easily connects to broadcast switchers, software mixers, and direct streaming boxes.

Auto Loop for repeatable moves

Auto Loop lets you programme repeated pans, tilts and zooms that the camera executes consistently over time. This is practical for fixed displays, stage performances or exhibition spaces where a steady, predictable movement pattern is needed. Once set, it maintains the same behaviour without ongoing operator input.

Designed for fixed installation

At 3.1 kg, the CR-N400 installs comfortably on ceiling plates, trusses or wall mounts. The built-in ND filter helps control exposure under bright stage lighting, and its NC35 operational noise keeps it discreet during quiet productions. Rated to run from 0 to 40°C, it fits reliably into broadcast suites, control rooms and event spaces.

What’s in the box?

• 1 x Canon CR-N400 4K PTZ Camera
• 1 x AC Adaptor (12 V DC)
• 1 x Power Cable
• 1 x IR Remote Controller
• 1 x Ceiling/Wall Mount Plate
• 1 x Fixing Screws Set
• 1 x Safety Wire
• 1 x Operating Instructions

FAQs

How adaptable is the CR-N400 for different lighting conditions?

The camera offers multiple HDR modes, including PQ, HLG, Canon Log 3 and Wide DR, which provide a wide latitude for bright sets, mixed colour sources or high-contrast stages. These modes help retain highlight and shadow detail without aggressive correction in post. When matching the CR-N400 to other cameras, its expanded dynamic range provides a reliable foundation for consistent grading.

How does the CR-N400 handle synchronisation within multi-camera systems?

With Genlock and Time Code on board, the camera can align precisely with other broadcast units in a studio or OB setup. This ensures smooth switching and accurate timing when cutting between angles. Productions that use slow motion, replay, or multi-room routing benefit from the tighter synchronisation.

What types of installations benefit most from the CR-N400’s connectivity?

Its 12G-SDI, Dual XLR, HDMI, USB and full IP streaming support make it suitable for permanent studios as well as large event spaces. The range of interfaces allows the camera to slot into SDI-based control rooms, hybrid IP systems, or lightweight streaming rigs without the need for hardware converters. This flexibility helps when upgrading existing infrastructure or integrating into mixed-generation equipment.

How practical is the 20x optical zoom for real-world distances?

The optical range is long enough to frame presenters cleanly from the back of an auditorium or elevated gallery position. Even when extended to the 40x advanced zoom in Full HD, the image retains intense clarity for live use. This makes it effective in venues where camera positions cannot be moved closer to the stage.

How quiet is the camera during live recording?

The CR-N400 operates at NC35 or below, which is quiet enough for theatre work, panel discussions or any space where microphones sit close to the audience. This low operational noise helps maintain a natural room ambience during quieter moments. Operators can mount the camera confidently in acoustically sensitive areas without introducing noticeable mechanical sound.