
We’ve never been so back. The first few months of 2026 have been a little light on major photo and gear releases, but with a bang, May has seen the arrival of some spectacular new cameras.
Sony has kept the title of the highest-resolution full-frame mirrorless camera with the spectacular A7R VI, while Canon has taken the wraps off a compelling video hybrid for content creators, the EOS R6 V. Elsewhere, a sleek premium compact camera from Panasonic, the Lumix L10, has been wowing us with its retro charms. And with more new cameras from Leica and GoPro, as well as an intelligent smartphone gimbal from DJI, it once again falls to me to say that, truly, we have never been so back.
Let’s take a look at what’s been released this month…
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Sensor: 66.8MP Exmor RS CMOS full-frame Lens mount: Sony FE ISO range: 100–32,000 (standard) Stabilisation: 5-axis in-body providing up to 8.5 stops of centre correction |
Sony truly marries speed and resolution with the spectacular A7R VI, a camera that sets a new standard for full-frame excellence. With a 66.8MP Exmor RS CMOS full-frame, it’s the new highest-resolution full-frame mirrorless camera – a record previously held by its predecessor, the Sony A7R V. However, it pairs that amazing quality with A1 II-level speeds, thanks to its BIONZ XR2 processor that enables faster-than-ever data-handling speeds.
An integrated AI processing unit further improves the already impressive subject-detection autofocus, making the A7R VI more capable than ever at dealing with fast-moving subjects. The electronic shutter offers 30fps blackout-free burst shooting, and while the new processor reduces the risk of rolling shutter, if you want to be extra safe you can switch to the mechanical shutter and achieve a still-impressive 10fps.
If the 66.8MP on offer isn’t enough for you, you can access the Pixel Shift Multi Shooting to produce up to 265.8MP composite images, with simply stunning levels of detail. A dual gain system enables up to 16 stops of dynamic range to retain maximal detail in highlights and shadows.
The physical body of the camera has also been overhauled from the previous version, with a reworked grip, illuminated controls (which I picked as one of my features I want to see in all cameras, thank you Sony for reading), a 9.44M-dot EVF that’s three times brighter than the previous, and an interface that rotates automatically to vertical orientation when needed.
There’s no doubt about it – Sony has laid down a hell of a gauntlet here. The Sony A7R VI is a spectacular camera, and a new benchmark for full-frame.
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Sensor: 32.5MP full-frame CMOS Lens mount: Canon RF ISO range: 50–102,400 Stabilisation: In-body image stabilisation (7.5 stops) Weight: 598g |
Could this be the camera that bridges the gap between solo content creators and filmmakers? Canon might have just cracked it with the new EOS R6 V, a full-frame mirrorless camera with advanced video control and high-resolution capture. Its 32.5MP full-frame sensor benefits from a DIGIC X, enabling a top-line video resolution of 7K 60p.
Elsewhere you get oversampled 4K 60p, uncropped 4K 120p – it’s an embarrassment of riches as far as video is concerned. It captures open-gate video using the full 3:2 width of the sensor, giving you greater flexibility for cropping in the edit. And while this isn’t really a stills camera, a burst rate of 40fps is nothing to complain about!
The Dual Pixel CMOS AF II system ensures fast and accurate autofocus in video and stills alike, with intelligent subject-tracking. Dual card slots support CFexpress Type B and UHS-II SD media, while in-body stabilisation provides up to 7.5 stops of effective correction.
The EOS R6 V releases alongside the RF 20-50mm f4L IS USM PZ, which is the first full-frame RF zoom lens with internal power zoom. It’s designed to facilitate smooth video capture, with a vlog-friendly standard zoom range, effective optical stabilisation, a non-extending barrel, and a constant F4 aperture for consistent exposure throughout zoom movement.
Lightweight and powerful, the Canon EOS R6 V is the finest video-first camera in the EOS R range.
GoPro has entered the big leagues with its new MISSION series, a radical rethinking of the action camera concept. The MISSION 1 and MISSION 1 PRO are both huge upgrades in terms of image quality, each sporting a newly developed 1-inch sensor with a whopping 50MP of resolution. And these are properly futureproof cameras too – they’re capable of capturing Open Gate 8K, with the MISSION 1 shooting 8K 30p and the MISSION 1 PRO shooting 8K 60p.
As fully waterproofed and tough as you’d expect GoPro cameras to be, the MISSION 1 and MISSION 1 PRO also benefit from built-in stabilisation for moving shots, and a GP3 processor that delivers stable thermal performance to provide long maximum shooting times.
However, also on the docket is something even more exciting – the MISSION 1 PRO ILS. This genuinely new breed of camera takes all the superb functionality and quality of the MISSION 1 PRO, and puts it in a body with a Micro Four Thirds lens mount! We’re still waiting to confirm pricing and availability on this model; sign up with your email to be sure you’re among the first to hear.
A style update from Leica with its new Metal Grey trim, a colour variant for select mirrorless, rangefinder and compact cameras. Launching with a range of complementary accessories, the new Metal Grey trim is sleek, stylish and understated. It’s available for the Leica M11-P, the Leica Q3 and the Leica D-Lux 8 cameras, as well as the Leica APO-SUMMICRON-M 50mm f2 ASPH Lens, which has its own matching cap.
And finally, DJI has updated its popular smartphone gimbal series with the Osmo Mobile 8P. If you’re capturing video content on your phone, a compact 3-axis smartphone gimbal is an essential purchase, making smooth handheld filming and self-recording ridiculously easy.
The advanced ActiveTrack 8.0 enables following specific subjects through the DJI Mimo app, while the Magnetic Phone Clamp 5 enables quick and easy mounting. Putting a number of different movement and tracking modes at your fingertips, a gimbal like the DJI Osmo Mobile 8P is one of the easiest and most cost-effective ways to improve the quality of your smartphone footage.
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